Schatten-Licht: Sound Installation

I am very pleased to be joining visual artist Uschi Lux for an exhibit of her works in the bunker beneath the Stuttgart Martinskirche. Using field recordings made in the bunker and in Uschi’s studio, I will be creating a sound installation intended to complement her lovely sculptures and collages.

The bunker beneath the Martinskirche was built in the 1930s at a time when regulations required that new churches include air raid protection for an equivalent number of persons as would fit in the sanctuary. It’s a very interesting space and should sound great. Learn more about the Bunkerkirche here. (German only) 

Details

Schatten-Licht
Paintings and Objects by Uschi Lux
Martinskirche Bunker
Eckartstraße 2, Stuttgart-Nord
(U12 to Milchhof or Mittnachtstraße)

Vernissage

Friday, May 24, 2019 | 19:30
Chris Williams – live sound mixing
Friz Wank – bass
Heike David – Butoh dance

Installation duration

May 24 – June 8, 2019
Open Saturdays 17:00 – 19:30

 

Who’s The Dummy?

I will be taking part in the generate!_lab festival in Tübingen, Germany on November 10, 2018. You’re invited! (Scroll for full description.)

“Who’s the Dummy?”
A multimedia installation about puppets and propaganda

in cooperation with the
generate!_lab Festival for Electronic Arts 2018
http://festival.shedhalle.de

10. November | 6:00 PM – 1:00 AM
Artist Talk by Chris Williams | 7:30 PM

ITZ im Zimmertheater Tübingen
Bursagasse 16
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If / When: “Pigments”

 


NEW: CLICK HERE FOR DOCUMENTATION OF THIS PROJECT.

On Saturday, October 14, I will be debuting a new solo alias called If/When and present an installation and live sound performance called “Pigments” at the Kunstraum 34 in Stuttgart. The event is taking place in coordination with a city-wide cultural event called Stuttgartnacht and as part of the finissage for artist Anabella Spielmannleitner‘s show Whiteout. Details and a description of the project follow. Continue reading

Recent Writing for the High-Performance Computing Center Stuttgart (HLRS)

In April I started a new job as a science writer and editor at the High-Performance Computing Center Stuttgart (HLRS), a core facility of the University of Stuttgart and a member of the Gauss Center for Supercomputing. HLRS is the home of Hazel Hen, the fastest supercomputer in Germany, conducts its own research focusing on issues related to high-performance computing, and supports academic and industrial researchers, with emphases on simulation, data analytics, and visualization, among others. Here are a few of my first pieces of writing about some work underway there.

> Hazel Hen’s Millionth Compute Job
> HLRS Focuses on Sustainability in Supercomputing
> Hazel Hen Helps Explain Ultrafast Phase Transition

Sick Passengers Now on Bandcamp

 

On this night 13 years ago I was at the Trash Bar in Williamsburg, Brooklyn, celebrating the release of Your Words, Bought and Sold, the only proper CD that my big, loud rock band at the time, The Sick Passengers, ever finished. This was long before “digital albums” came along, and so we never got around to updating it for the streaming age. Today seems like a fitting occasion to change that. I’d like to invite you all to check out our new Bandcamp page, which offers free downloads of “Your Words,” our early demo (If You Are Not Well, You Will Not Be Left Alone), and a new compilation of live versions — imperfect as they may be — of lost songs we never recorded in the studio, called Cut Outs. For old friends who came to the shows, hopefully this will bring back some good memories. For newer friends, I’m glad to finally be able to share these songs with you — an awful lot of them still make me smile uncontrollably.

Glass Bees Presentation at Salon 34

 

Members of the Stuttgarter Kollektiv für Aktuelle Musik (S-K-A-M) recently started a monthly meeting at the Kunstraum Filderstrasse called Salon 34 to foster dialogue and collaboration among members of the local artistic community. So far, it has been a very friendly and informal series of events that have offered a chance to hear about some very diverse artistic work, spanning many disciplines. On June 12 I introduced myself with a 40-minute presentation about the Glass Bees, focusing on the evolution of the project from a studio improvisation duo into a platform for more conceptual multimedia performances and installations. Thanks, Karmin Shim, for following with an interesting presentation on the Borneo Art Collective (and for the photo!) and to the S-K-A-M team for organizing this series. I’ll be looking forward to hearing what others around here are up to in the coming months.

The Next Station: Remixing the London Underground

The website Cities and Memory has just published a sound map of the London Underground called The Next Station. Working with The London Sound Survey, the project collected and associated field recordings to specific Tube stops in a map. They also issued an open invitation for musicians and sound artists to choose a particular station and to remix the sounds. Nearly 100 artists hailing from across the world chose to participate, and the results are now available on the website as a playlist. Interestingly, there is a wide variety of interpretive strategies on display.

I submitted a piece based on the Edgware Road stop on the Bakerloo line and am pleased to see it on the website alongside a lot of quite compelling work. It’s available here and in the embedded player below.

I use a pretty rudimentary sound editing set up, which made it challenging working with a single raw recording. After isolating quotidian sounds particular to the time and place of a single person walking through the station, my goal became to find a way to navigate a new path through them. The result is a collage emerging from sounds in their original form, processed sounds, fractured sounds, and some additional guitar and synthesizer sounds that harmonize with the natural tone of the space. The results, I hope, constitute a different kind of movement, retaining something of the character of the original recording, while musically reconfiguring the experience of traveling beneath the city.

I would encourage you to spend some time with the playlist to hear what other people came up with as well. Thanks to Stuart Fowkes for organizing the effort.

Salvage #1

IMG_1346-800

 

Three-color screen print and collage based on a sketch generated in Processing.

New Screenprint

0602-sm-nosig

 

Last week I took a refresher screen printing class at the Künstlerhaus Stuttgart. The image is based on a generative sketch I wrote in Processing, manipulated a bit in Photoshop, and then separated into four colors. Coincidentally, Dave DiMarchi, who taught the last screen printing class I took, was in the midst of organizing a print exchange through his 9 in Hand Press, and I finished just in time to be able to participate. I’ll be looking forward to seeing what the other contributors submitted. Continue reading